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Monday, 29 September 2014

Cubism- The Two Phases


Cubism- The Two Phases

Cubism is an art movement which first began in Paris around 1907. It was led by the famous Pablo Picasso and Georges Braque. The movement was later joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris. The Cubists decided to break the tradition in their painting method. Instead of using only one viewpoint of the subject they were painting, they used a system were three-dimensional subjects were broken up into different pieces and redefined from different points of view. Two other strong believers of cubism’s benefits were Francis Picabia and Marcel Duchamp.  Cubism has been considered the most influential art movement of the 20th century and is spilt into two phases. The Analytic phase which lasted from 1907 to 1912, and the Synthetic phase which took over the Analytical phase, from 1913 through to the 1920s.

Picasso's Portrait of Ambroise Vollard created from 1909 to 1910 ushered in the Analytical phase. In this painting Picasso looked at the face of Vollard and disassembled his figure into different pieces that overlap and intersect at different angles. The analytical phase was mainly about how the artists attempted to show objects as the mind, and not the eye, perceived them. Another one of the main artists of the analytical phase was Braque. In Braques painting “Violin and Palette” made from 1909 to 1910 you can see the various parts of a violin that are meant to represent the whole instrument seen from various points of view and also the subject (the violin) merging with the background of the piece to create an extraordinary painting. In my opinion I really like this style of painting. It is so unusual though its unusual look separates it from all the other art movements.

The next phase of the cubism movement was the Synthetic phase. Synthetic cubism grew from the analytical phase were Picasso and Braque discovered that through the repetition of their analytic signs, their work became more generalized and flatter. This consisted of works with much simpler and fewer forms. Also the colour range in this phase was much brighter than the last phase and college was used in the works too. Braque had begun putting material on his canvases as well as paint including things such as; sand, sawdust and iron filings and produced what was known to most people as the very first papier collé (a technique which Braque himself invented) “Fruit Dish with Glass”. Picasso saw Braques use of these materials in his work and decided to try it out and took it further, producing his "Still Life with Chair Caning" in 1912. This piece was the first use of collage. In my opinion I do like this type of cubism. The use of the different materials creates an illusion in the painting when the material used is sat on the canvas next to the paint which I really love. Also when an artist uses a certain material it does leave you wondering why they used that specifically. I felt this way when I saw Piccassos use of rope in his piece "Still Life with Chair Caning".

Wednesday, 24 September 2014

Impressionism- Pierre-Auguste Renoir


Impressionism- Pierre-Auguste Renoir

Pierre-Auguste Renoir was born on the 25th of February 1841 and died on the 3rd of December 1919. He started painting when he turned 13 years old when he found a job as a porcelain painter in a Parisian factory, creating flower designs on China. Renoir was a French artist who was a leading painter in the development of the Impressionist style. Bal du moulin de la Galette is an 1876 painting. It is situated in the Musée d'Orsay in Paris and is one of Impressionism's most celebrated pieces. This painting was shown at the Impressionist exhibition in 1877 and is known to most people as Renoir’s most important work of the 1870s. Although some of his best friends appear in the painting Renoir's actual aim was to convey the playful and joyful atmosphere of this popular dance garden on the Butte Montmartre. The study of the moving crowd filled with natural and artificial light is handled using vibrant, brightly coloured, thick brushstrokes.  In my honest opinion I really like this painting. I love how the painting is crammed full of people.  It is so busy and the more you look, the more you find. I also really like the use of thick brushstrokes and colour scheme. There seems to be a small contrast between the warm summer yellow colours and cold blues and greys.
 
 

Monday, 22 September 2014

Impressionism- Oscar-Claude Monet


Impressionism- Oscar-Claude Monet

Oscar-Claude Monet belonged to the Impressionist movement. He was born on the 14th of November 1840 in Paris, France and died on the 5th of December 1926 in Giverny France. The reason this group of artists were called impressionist was because after an art exhibition in 1874, a critic labelled Monet's painting style as "Impression" since it was mostly based around form and light rather than realism, and the phrase stuck. Monet struggled with poverty, depression and poor health throughout his whole life. He often painted a number of the same subject to capture the vast changing effects of light, swapping each canvas as the day went on. He mostly painted on site and many were finished back in his studio. Monet was a traveller which was one of the main things that inspired his paintings. He didn’t travel for tourism but only for the sake of painting a beautiful motif. Monet’s use of brushstrokes are consisted of dots applied on the canvas in order to produce texture and the effect of the natural light. If you look at one of Monet’s paintings close up it gives off a very pixelated look but from a far the small dots of colour form a picture. One of my favourite pieces by Monet is “The Water-Lily Pond, Water Irises” which was completed in 1900. It is part of a huge collection called “Water Lilies” which is made up of around 250 oil paintings. Each of the 250 paintings depict his flower garden at Giverny and were the main focus of his work during the last thirty years of his life and many of the works were painted while he suffered from cataracts. In my opinion I really like the painting “The Water-Lily Pond, Water Irises” because of the use of all the bright exaggerated colours. I love bright vibrant colours in a painting so this ticks all the boxes.
 
 

Saturday, 20 September 2014

John Bellany “Gull”


John Bellany “Gull”

John Bellany was a Scottish painter. He was born on the 18th of June 1942 in Port Seton and died on the 28th of August 2013. During the 1960s, he studied at Edinburgh College of Art and then went on to study at the Royal College of Art in London. In many of Bellany’s works you can see that he was hugely inspired by the coastal communities from which he was surrounded by. Most of his paintings were based on the fishing community. Either oil paintings of the harbours or portraits of the fishing community men/women. Bellany’s liver transplant also inspired him for some of his other pieces. His move to Barga, Italy in later life drastically changed his work. They clearly showed an optimism in the brighter colours that were used. Bellany’s works are included in some of the world's greatest collections including The Museum of Modern Art, The Metropolitan Museum and many more. One of my favourite works by John Bellany is “Gull”. It is an etching which was completed in 1994 and is approximately 417mm by 304mm. “Gull” is from a set of nine prints that were published in 1994 by the Byam School of Art. They were made to raise funds for their student scholarships and bursary funds. I like this print because of its simplistic look. The actual seagull doesn’t have much detail and the background and foreground don’t have much detail either. Although this print lacks the detail, it still looks like the subject (in this case a seagull) and portrays the theme of the seaside which it was meant to do so for that reason, I really like it.
 
 

Thursday, 18 September 2014

“My Chinese Opera” by Christopher Orr


“My Chinese Opera” by Christopher Orr

Christopher Orr is an English artist and printmaker who was born on the 8th April 1943. He has exhibited over 400 prints in lithography, etching and silkscreen. He was born in Islington in London and after studying at Ravensbourne and Hornsey School of Art he graduated from the Royal College of Art in 1967 with an MA in Printmaking. Orr still lives and works in London to this very day. One of my favourite prints by Christopher Orr is “My Chinese Opera” made in 2006. It is 94 cm by 67 cm so I would say quite a large sized piece. Obviously his influence for this piece was a Chinese festival of some kind. He possibly could have seen this in person but there is no information which tells us were he got his inspiration from. In my personal opinion, I love this print. I like colourful pieces of art and this is full of colour. Although I’ve never actually seen a Chinese opera before, I’ve always liked the costumes they wear and the big dragon dances they do for the crowds. Another reason why I like “My Chinese Opera” is because the way the subject matter is set on the print. The fact of having three layers is quite absurd yet works very well. The composition of all the dancers and dragons is spread across the whole piece and from afar they don’t seem to have much detail yet, when you look closely you see how detailed they really are.